10,181 Royalty-Free Audio Tracks for "Kobe In The 1920s"

Classical algerian music (Sanâa of Algiers) An istikhbar from the Zidan mode, one of the sixteen modes known in the classical algerian music or arab-andalusian music of Algiers (Algeria).

teliyavasamaa - keelugurram (1949)

Choro polca "Massada", composed by Lulu Cavaquinho (Luiz Carlos dos Santos), recorded in 1911 by Choro Carioca (Pixinguinha: Flute; Irineu de Almeida: Bombardino and Oficleide; Bonfiglio Oliveira: Piston; Leo Viana and Otávio Viana: guitars; Henrique Viana: Cavaquinho)

*7 steps in 19 equal temperament on C = E♯ (Easley Blackwood's notation). Equal-tempered: 27/19:1 = 442.11 cents. MIDI pitch bend: 61,45 on a P4 Created in Sibelius with midi pitch bend on 77 for 440.625 cents rather than 442.12. New version a M3 on 60,77 for 442.08984375 cents rather than 442.12.

*7 steps in 16-et on C = F (Easley Blackwood's notation). Equal-tempered: 27/16:1 = 525 cents. MIDI pitch bend: 0,72

*9 steps in 16-et on C = F (Easley Blackwood's notation). Equal-tempered: 29/16:1 = 675 cents. MIDI pitch bend: 0,56

Kyrie, Gott Vater in Ewigkeit (Evang. Gesangbuch 178.4)

*Two secors on C. 18/52/19 = 233.43 cents.

*6 steps in 19 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/19:1 = 378.95 cents. MIDI pitch bend: 34,57 Created in Sibelius with midi pitch bend on 89 for 378.125 cents rather than 378.96. New version a m3 on 33,89 for 378.9306640625 cents rather than 378.96.

The third piece of the surviving fragments of Nannerl's music book.

*5 steps in 19 equal temperament on C = E♭ (Easley Blackwood's notation). Equal-tempered: 25/19:1 = 315.79 cents. MIDI pitch bend: 7,69 Created in Sibelius with midi pitch bend on 69 for 315.625 cents rather than 315.8. New version a m3 on 6,69 for 315.771484375 cents rather than 315.8.

*3 steps in 19 equal temperament on C = D♮ (Easley Blackwood's notation). Equal-tempered: 23/19:1 = 189.47 cents. MIDI pitch bend: 81,60 Created in Sibelius with midi pitch bend on 93 for 190.625 cents rather than 189.48. New version a m2 on 80,92 for 189.453125 cents rather than 189.48.

72-et diatonic scale on C. Steps: 0, 12, 23, 30, 42, 53, 68, 72. MIDI pitch bend matches intervals

*Nine quarter tones/supermajor third on C = E/F. Equal-tempered: 29/24=3/8:1 = 450 cents. MIDI pitch bend: 0,80 Preceded by:File:Seven quarter tones on C.mid

*7 steps in 15 equal temperament on C = F↑ (Easley Blackwood's notation). Equal-tempered: 27/15:1 = 480 cents. MIDI pitch bend: 26,83 on a P4

*9 steps in 19 equal temperament on C = F♯ (Easley Blackwood's notation). Equal-tempered: 29/19:1 = 568.42 cents. MIDI pitch bend: 115,53 Created in Sibelius with midi pitch bend on 86 for 568.75 cents rather than 568.44. New version a P4 on 114,85 for 568.408203125 cents rather than 568.44.

The second piece in the surviving fragments of Mozart's first compositions; from the Nannerl Notenbuch.

*3 steps in 16 equal temperament on C = D (Easley Blackwood's notation). Equal-tempered: 23/16:1 = 225 cents. MIDI pitch bend: 0,72

*8 steps in 19 equal temperament on C = F♮ (Easley Blackwood's notation). Equal-tempered: 28/19:1 = 505.26 cents. MIDI pitch bend: 88,65 Created in Sibelius with midi pitch bend on 66 for 506.25 cents rather than 505.28. New version a P4 on 87,65 for 505.2490234375 cents rather than 505.28.

*5 steps in 16-et on C = D (Easley Blackwood's notation). Equal-tempered: 25/16:1 = 375 cents. MIDI pitch bend: 0,56

*6 steps in 15 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/15=2/5:1 = 480 cents. MIDI pitch bend: 76,89 on a M3

The fourth piece surviving from the fragments of the Nannerl Notenbuch

Algerian scale. No pitch bend.

In Gottes Namen fahren wir, Evang. Gesangbuch 498

Cello concerto in e minor, op. 85 - iv. allegro, Op. 85

Étude Op. 25, No. 12 — allegro con fuoco.

Title/Work: Cantate No. 189 (BWV 189) Content: Disc 23A: Meine Seele rühmt und preist (Part 1) Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935

Cavatina from La Favorita, arranged and played by alto saxist H. Benne Henton. It is originally from the fourth act of Gaetano Donizetti’s opera La favorite. Die Cavatine aus Die Favoritin, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es ist ursprünglich die Cavatine des Fernando aus dem vierten Akt der Oper Die Favoritin von Gaetano Donizetti.

Barichai Bocherh Aarbi, Algerian jewish liturgical song, by Elie Bensaid

Aria from Mefistofele sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Irish music performed by James Morrison. Columbia record n° 33108-F. Matrix n° 106431.

Die Antiphon In paradisum (Gotteslob (2013) 516)

Title/Work: Symphony No. 35 in D major, K. 385 (Haffner Symphony) Content: Part 1/5: 1st Movement: Allegro con spirito Genre(s): Symphony Author(s)/(Composer(s): Wolfgang Amadeus Mozart (1756-1791) Music arranger(s): none Lyricist(s): none Performer(s): NBC Symphony Orchestra Conductor: Arturo Toscanini (1867–1957) Place of recording: New York City, New York (United States) 1st release date: 1947 1st recording date: 1 November 1946

Title/Work: Symphony No. 35 in D major, K. 385 (Haffner Symphony) Content: Part 4/5: 3rd Movement: Minuetto Genre(s): Symphony Author(s)/(Composer(s): Wolfgang Amadeus Mozart (1756-1791) Music arranger(s): none Lyricist(s): none Performer(s): NBC Symphony Orchestra Conductor: Arturo Toscanini (1867–1957) Place of recording: New York City, New York (United States) 1st release date: 1947 1st recording date: 1 November 1946

Battle between Spaniards and Indians. Traditional music of Chiapa de Corzo.

D. Scarlatti, Sonata K159 C, Veronica van der Knaap, Christchurch, New Zealand

Title/Work: Casse-Noisette Suite (Part 2) Content: a) Danse de la Fée Dragée, b) Danse des Mirlitons Genre(s): Ballet music Author(s)/(Composer(s): Pyotr Ilyich Tchaikovsky (1840-1893) Music arranger(s): none Lyricist(s): none Performer(s): American Symphony Orchestra Conductor: none Place of recording: West Orange, New Jersey (United States) 1st release date: 1 April 1921 1st recording date: 24/30 June 1918

한국어: 홍난파 (1898년 ~ 1941년)가 작곡 및 연주를 한 "조선의 애수". 1924년 콜롬비아 레코드에서 작곡하여 연악회에서 발표하고, 1931년 콜롬비아레코드에서 녹음한 바이올린 독주곡. The Violin solo titled "The Sorrow of Korea" which was both composed in 1924 and recorded in 1931 by the Korean composer Hong Nan-pa (1898 ~ 1941). More information about the work in Korean

Classical algerian music (San'a of Tlemcen) Istikhbar Mezmoum, vocal improvisation in the mezmoum mode (one of the seven fundamental algerian modes).

Title/Work: Meine Seele rühmt und preist (My soul extols and praises), BWV 189 Content: Disc 23B: Part 2: Recitative and aria Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935

kadu suma kala kadu suma - keelugurram

Title/Work: Symphonie Nr.5 c-moll op.67 Content: Part 1 Genre(s): Symphonic Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): Lyricist(s): none Performer(s): Koninklijk Concertgebouworkest Conductor: Willem Mengelberg (1871-1951) Place of recording: unknown 1st release date: 1941 1st recording date:

Étude Op. 25, No. 1 in a-flat major, composed by Frédéric Chopin, performed by Donald Betts.

Aria da Capo è Fine by Kimiko Ishizaka

Variatio 26 a 2 Clav. by Kimiko Ishizaka

Variatio 18 a 1 Clav. Canone alla Sexta by Kimiko Ishizaka

Variatio 4 a 1 Clav. by Kimiko Ishizaka

Variatio 25 a 2 Clav. by Kimiko Ishizaka

Variatio 21 Canone alla Settima by Kimiko Ishizaka

Song from The Remains of Tom Lehrer